This is my first time hosting an author on a blog tour (thank you, Mary Lewis from Blog Stop Book Tours, for arranging this!), and I’m so excited to welcome Susan Woodring, author of the brilliant short story collection, Springtime on Mars (reviewed HERE). I mentioned to Susan that Books on the Brain focuses on book clubs, and she suggested she write about why a short story collection is a great choice for a book club. Here’s what she came up with!
“A story collection?” The woman, drifting amid a crowd of authors and book fair browsers, gives me a look of uncertainty: wrinkled brow, a moment’s hesitation. I touch the cover of my book, channeling words of comfort to it like a mother speaking to a distressed child. It is my child, my baby, caught now under the glare of this stranger’s scrutiny. Then, brightening, the woman says, “Say, don’t you also have a novel?”
As a novelist-turned-short-story-writer, I face this kind of thing all the time. Most people prefer non-fiction, but if they are going to read fiction, let it be a novel. They want to get cozy with a group of characters, live with those characters for a bit, follow them across a stretch of narrative time, all the while hoping for some happiness—or at least resolution—at the end. They want reading fiction to be a full-blown relationship, not a date; a home, not a glitzy hotel. They want to settle in, hunker down, and read.
I don’t blame them. I love novels. There’s nothing like moving into a fictitious world, getting to know its inhabitants, making friends, staying for dinner. Even better: I love it when a novel is so good, I come to the end with reluctance; I want it to go on and on. I completely understand the attraction. Yet, there are days when a girl needs a night out on the town. She needs a romp, no strings attached. To be dazzled, drawn close, given a glimpse of the funny, the ironic, the poignant, the wild. A girl needs a short story.
I wonder why fiction-readers often shy away from short story collections. You would think, with how limited everyone’s time is these days, a person would be thrilled to depart on a literary adventure that she or he can begin and complete in thirty minutes’ time. If coming to the end of a novel is satisfying, then wouldn’t a short story collection—with ten or more endings—be even more satisfying? Why wouldn’t a reader who finds joy and companionship with a few characters over the course of three hundred pages be all the richer for a series of quick but intimate encounters with dozens of characters?
The short-story form, I suppose, has a reputation for being hyper-literary. There are a fair number of scholarly journals out there publishing rather dry, pointedly confusing and—dare I say it?—boring stories. It is true that the short story is the purest, most artful form of fiction. While some writers do blatantly misuse the form, only wanting to show how smart they are—how elite—most short story writers simply love the art of short fiction. Short stories are, at their best, quirky, humorous, searching, true, and smart. The short story is able to crystallize a single, breath-catching moment in a character’s life—a moment that will, for that character, change everything. You can liken a well-written short story to a brilliant gem held under a light, the writer turning it just so until it glints brilliantly for a breath-taking instant. These extraordinary glimmers of truth, depth, and nuance flash again and again in a good collection.
I think a short story collection is the perfect choice for book clubs. For starters, there’s the obvious advantage of each story’s being self-contained. If you’re not smitten with a story in the first few pages, if it’s about dogs and you loathe dogs or if something about the narrative voice or the central character irritates you, fine. Move on to the next. The beauty of a short story collection is its variety; you’re almost guaranteed to find something you’ll like. Even the most eclectic mix of individuals can find something to love in a book of stories. More: a collection of short stories written by the same author is the best of both worlds. Sure, there’s the variety, but there’s also a common thread running through the stories. A collection of stories contains recurrent themes, situations, and life-questions. Each story offers a new way of seeing a common theme or motif. This makes for a lively, insightful, and challenging book talk. Also, a short story collection can be as comforting as a novel since you’re in the hands of the same author throughout. The scenery might change, and the people are different, but it’s a familiar voice speaking the story to you; you can be assured this writer will guide you through this story just as skillfully and as faithfully as he or she guided you through the last.
I don’t know if I’m able to convince the doubting woman at the book fair or how much success I’ll find in my mission to turn the world into short-story readers. As a novelist and a short-story writer, though, I can say which is the hardest to write, which demands the most from me in terms of talent, restraint, and insight. When you write a novel, you reinvent the world. When you write a short story collection, you reinvent the world ten times over. Reading a short story collection, then, is as big, as triumphant, as satisfying as coming into this planet again and again, each time seeing something new.
Susan’s Bio (from her website): Susan Yergler Woodring, an award-winning short story writer and novelist, grew up in Greensboro, North Carolina. She also lived in California, Alabama, Illinois, and Indiana as a child. Upon graduating from Western Carolina University, she spent a year teaching in Vologda, Russia before moving to the foothills of North Carolina to teach middle school. Susan is a graduate of the Creative Writing MFA program at Queens University in Charlotte. She is the author of one novel, The Traveling Disease. Her short fiction has earned many honors, including the 2006 Elizabeth Simpson Smith Short Fiction Award and the 2006 Isotope Editor’s Prize. Her work has appeared in Quick Fiction, Yemassee, Ballyhoo Stories, Slower Traffic Keep Right, The William and Mary Review, Isotope: A Journal of Literary Nature and Science Writing, Passages North, turnrow, and Surreal South (Press 53). Susan currently lives, writes, and home-schools her two children in Drexel, North Carolina.
Susan Woodring’s website can be found HERE
Susan has agreed to give away a copy of her book to one lucky winner. Leave a comment HERE by midnight PST, Friday, June 6th. Thank you, Susan! Wishing you all the best of luck with your short story collection, Springtime on Mars!
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