Reading for Pleasure *wink wink*

imagesAt the hair salon last summer, I took my Nook along.  My stylist said, “What are Christian and Anastasia up to *wink wink*?”  I hadn’t yet read Fifty Shades, but I had heard of Christian and Anastasia.  I said, “Oh, I’m not reading that.”  Turns out a large number of her clients WERE reading that, coming in with Fifty Shades on their e-readers, the 21st century version of a plain brown wrapper.  She whispered, “You have to check it out. Seriously. It’s hot.

So on the advice of my stylist, I did check it out.  And I’ll admit, it was sort of hot at first.  But it was also sort of degrading and stupid and repetitive.  It made me wonder just how this book became so popular, and I think it has little to do with good writing and everything to do with marketing.

We really don’t need a plain brown wrapper for Fifty Shades.  The cover is tame, discreet.  No bodice rippers or entwined bodies in sight.  This, I think, is a huge part of the appeal, legitimizing the genre somehow and making it seem less cliched and old fashioned.

I’d also call it erotica-lite.  FSOG has more of a relationship-focus than porn but more sex than a romance novel.  So it’s ok because, you know, they love each other.  Or something like that.

Book 1 of the FSOG trilogy is now the fastest selling paperback of all time, leaving a bewildered Harry Potter in the dust.  31 million copies of the trilogy have been sold worldwide.  Practically everyone’s read this book; your friends, your sister, your neighbor, the lady sitting in front of you at church.  If you haven’t read it, you’ve heard of it.  Even people who wouldn’t normally read erotica (hi…) want to check it out to see what all the fuss is about.  It’s been hand sold, woman to woman, in person and online over Facebook and Twitter.

Mommy Porn has influenced sales of racy toys and taken reading for pleasure to a whole new level.  It’s an exciting time to be in the business of selling handcuffs. Publishers have rushed to put out erotica titles for the masses, with varying degrees of quality, and covers so subtle they are perfectly acceptable on the book tables at Costco.

What, if anything, does this say about our culture?  Are we sexually frustrated?  Bored?  Oversexed?  Did we need something like Fifty Shades to give us permission to talk about our fantasies with our friends or our partners?  Or is this just pure escapism?

I don’t know, but I couldn’t get past the repetitiveness and the icky relationship between Christian and Ana.  I’m sure there have to be better titles in this genre, which I’ll admit is not without it’s charms *wink wink*.

Suggestions, anyone?

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Guest Post: Judging a Book by its…. Trailer?

It was nice to learn that I was not the last human on the planet to discover book trailers! Yesterday’s Janeology post and trailer sparked a lot of discussion in the comments, so Karen Harrington, author of Janeology, offered to share a piece she wrote for her blog a while back about book trailers.  Thanks, Karen!

Judging a book by its…trailer?                       by Karen Harrington

Do you recall that great line from Sunset Boulevard where fading silent movie actress Norma Desmond defends her role in the movies? She cites her looks, her expressions and says, “You can’t write that down.”

It’s true. There are feelings one can convey through a look that the best writers would find hard to describe. So it’s only natural that the trend towards using cinematic features is now in vogue for bookselling. Book trailers arguably have the ability to convey dramatic elements of a story in ways a book jacket cannot.

Author Brenda Coulter disagrees that this is a good method for books however saying that most trailers are simple slideshows with a soundtrack. She also dislikes that so many of the trailers cannot be viewed by a huge percentage of Americans due to dial-up connection. Now, to be fair, Ms. Coulter wrote her opinion two years ago. The method has come a long way, baby!

The trailer for Ann Patchett’s latest novel Run shows an aqueous blue background with bubbles continuously floating over images of people, houses on the rich/poor ends of the spectrum and selected descriptive passages from the novel. The singular piano accompaniment to this trailer creates an inviting, if not subtle, undercurrent of mystery and secrets. You could probably view this trailer in a library.

By contrast author Caro Ramsey’s novel trailer for Absolution comes at the viewer full stop, with ominous images of knives and crosses bouncing across the screen in a shaky hand-held camera style, all set to an eerie single violin Silence of the Lambs-esque piece that would likely get you summarily shushed by a librarian.

I am intrigued by the very way images, music and ideas come together in less than five minutes to give a potential reader a sense of the book. And this new view into book trailers made me wonder: would we choose books the same way we choose movies – from a two-minute glimpse? Would you rather go into Barnes & Noble and scan several short videos to make your selection? Or do you prefer to scan the New Release table and thumb through the pages in hand?

Much like the current political environment where the key slogan of the day is “You Decide,” you can decide for yourself by viewing the trailers above, or even the one created for Janeology which is filled with haunting scenes of water imagery and dark family secrets, scored with music that will make your neck hairs stand at attention. (Fortunate author that I am, this trailer was created by one of THE inventors of the novel trailer art form, Kam Wai Yu, who has been developing this art since the 1980s.) 

Karen Harrington is the author of JANEOLOGY, the story of one man’s attempt to understand his wife’s sudden descent into madness and murder.